Festivals as Integrative Sites: a CHIME report

Festivals are international cultural practices, taking plural forms and expressions across the world. They offer an empirical lens to enrich our understanding about how tangible and intangible cultural heritage combine, collide, conflict and cohere. Festivals are a spatially and temporally bounded public sphere, a break from normality that surfaces and reveals understandings of and approaches to culture and heritage in very different contexts.

A new report produced by the Urban Institute with partners at the African Centre for Cities explores how festivals are integrative sites between tangible and intangible heritage in the context of the Sustainable Development Goals. Professor Beth Perry has been working with a network of academics and practitioners in South Africa, Kenya, Sweden, the Netherlands and the UK to explore how culture, and cultural heritage in particular, can play a role in supporting more just urban transformations. The network has addressed this question through the lens of festivals, drawing on international cases from CHIME. The 18 festivals in the report focus on the relationship between global frameworks for action and local cultural practices and learning.

The report highlights concerns over implicit cultural and instrumental biases which inform policy statements at multiple levels. Whose culture, whose heritage matters? How do international frameworks reflect cultural diversities across the Global South and North? What tensions and issues emerge in the instrumentalisation and essentialisation of culture as a tool in sustainable development? What does this mean for action at a local level, within and beyond state actors, to support cultural diversity and support cultural democracy and justice? In raising these questions, the report sets out an agenda for research, policy and practice to ensure that coordinated action supports the search of more just, inclusive and sustainable cities.

 

 

Travelling Exhibition: A History of Dutch Jazz Festivals in Thirty-Some Objects

This exhibition tells a story of jazz festivals in the Netherlands through objects. It is a story that originates in the jazz competitions held in the 1930s and which encompasses about 85 years of music, people, festival sites, and objects. While over the years jazz festivals have grown to cover a wide range of musical styles, performers, audiences, and venues, some consistency can be found in these festivals’ ambitions to engage with international musicians and to connect with local communities.

Both a creative space and place for cultural consumption, the festival is also very much a material culture. What remains of a jazz festival when the music, the musicians, the organizers, and the listeners have left? How does intangible cultural heritage of jazz turn into tangible heritage? How does a festival materialize in objects, and what can we learn from this? To engage with these questions, we have used a concept modelled after ‘A history of the world in 100 objects,’ a series by Neil MacGregor, director of the British
Museum, that explores world history from two million years ago to the present.

A collaborative project between CHIME, the Nederlands Jazz Archief (NJA, Dutch Jazz Archives), and photographer Foppe Schut, the exhibition is designed as a digital travelling exhibition, to be projected at festivals and conferences. We have focused specifi cally on awards, merchandise, jury reports, and other artefacts that have been produced as part of the festival, or which – in the case of the scrapbooks – have been made with festival artefacts. Most of these objects are in the repository of the NJA. Consequently, this selection excludes other parts of material culture that are indisputably part of festivals, such as festival sites, instruments, music stands, gear, clothing, portable toilets, food, or beer stands.

Click here to download the Exhibiton brochure: CHIME-travelling-exhibition-2017