Tag: Connected Communities

25 Years of London Jazz Festival book published

George McKay Leave a comment

In the dialogic spirit of cross-pollination, I thought I would share with the CHIME project the key output of another jazz festival-related project I have been working on recently. The Impact of Festivals (2015-16) was a 12-month Arts & Humanities Research Council-funded project at the University of East Anglia in collaboration with the EFG London Jazz Festival. With postdoctoral research assistant Dr Emma Webster, we researched the history of the London Jazz Festival and the wider story of London as a city of jazz festivals. Emma was also Researcher-in-Residence at the 2016 festival.

Our history of the festival is now published;  it contains archival research, interviews with musicians and festival workers, around 100 images including posters and programme covers, and a preface by founding director John Cumming.

Music From Out There, In Here: 25 Years of the London Jazz Festival is FREE to read and download by clicking here: 25 Years of London Jazz Festival.

From the cover blurb:

Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews, and stories from musicians, festival staff and fans alike. Including many evocative images, the book weaves together the story of the festival with the history of its home city, London, touching on broader social topics such as gender, race, politics, and the search for the meaning of jazz. They also trace the forgotten history of London as a vibrant city of jazz festivals going as far back as the 1940s.

We have a small number of FREE paperback copies available for suitable libraries, cultural organisations, festivals, researchers. If you would like one, get in touch with me, george.mckay@uea.ac.uk.

We hope you enjoy our new book; do let us know. This is what other people think. In his foreword John Cumming writes:

The meticulous work … in this history charts the festival journey across decades, and probes the bigger picture that surrounds it…. The outcome is I think an immensely valuable piece of work that informs our practice as a producer of live music, and at the same time marks the essential role of academic research in evaluating the impact of the cultural sector in a wider context

Jazz Journal‘s Bruce Lindsay (November 2017) reviewed Music From Out There, in Here thus:

A new, freely downloadable book on the history of the London Jazz Festival mixes insights, controversies and plenty of photographic evidence…. McKay and his co-author Emma Webster have produced an eminently readable book, its 100 or so pages filled with excellent photographs, amusing and fascinating tales and intriguing insights into the genesis, growth and popularity of this major jazz festival…. The book takes a positive look at the festival, but doesn’t shy away from discussing issues of concern, for example around funding and programme repetition.

Ian Paterson’s review in All About Jazz (December 2017) includes this:

This illuminating history is the result of a year’s digging by researchers and co-authors Dr. Emma Webster and Professor George McKay, and represents the final outcome in the Impact of Festivals project funded by—take a deep breath—the AHRC’s Connected Communities programme, which included studies on the socio-economic impacts of British music festivals and more specifically of jazz festivals. The authors’ linear narrative of the LJF—jam packed with colour photographs—captures the sense of a great adventure unfolding, a romance, if you like, between the festival and its host city. Placing London and the LJF within the wider context of jazz in Britain, the authors point out that whilst London was late to the party in terms of establishing a jazz festival that reflected the city’s global status, there has been a fairly constant history of jazz festivals in or around London since the Festival of Jazz in 1949.

Note: a large-print version of Music From Out There, In Here: 25 Years of the London Jazz Festival is available here.

How is CHIME chiming? Visualising impact in 2015 and 2017

George McKay Leave a comment

The impact of our research is important for us as researchers, for our industry and public partners, and for our funders—from the inception event at the EFG London Jazz Festival (a project partner) in November 2015 on we have been talking about impact as well as ‘doing’ it. In fact if you click the following link you can see and download the short presentation I gave about what ‘impact’ means and its scope in the British research landscape from that first event.

CHIME inception day Nov 20 2015

We wanted to capture and to easily visualise a sense of impact as a process through the development of the project. We thought a simple infographic-style map could do that, and gathered information from each researcher about their key collaborative relationships and anticipated work at the start of the project, and asked them to update that a year or so later.  So we have produced two impact maps to date, one from November 2015 and second from March 2017. The aim is to capture how the work packages have developed as work is undertaken and activities completed. The maps capture the project’s scope (how CHIME is indeed chiming), but also in a way they visualise its development, its story. Here are our impact maps, side-by-side, 2015 and 2017.

Rachel Daniel, my AHRC Connected Communities administrator, who also happens to be a creative artist and researcher (see Rachel’s own work exploring drawing and medicine here), made the maps happen. We thought about using Coggle or some other infographic/mapping programme, but in the end it didn’t need to be done like that, and she used Adobe Illustrator actually. So relatively simple, I’m told—though I gather the second one was slightly (…) more fiddly. Thank you, Rachel.

Gathering the information from each researcher, and then selecting from what each submits, and double-checking with them that we’ve got it right, takes a bit of time. From one of the team we received an email headed ‘Can you read this?’ and a photo attached of a pen-on-paper sketch of her collaborations on the project. Yes, we could.